In eight films, Jacques Audiard has renewed French cinema, without alienating either the critics or the success. It is only at the age of 42 that he starts directing, after having been an editor and a scriptwriter. In 1994, he directed his first film, "Regarde les hommes tomber", whose conflicting shooting was an ordeal for this misanthropic beginner. It was with "Sur mes lèvres", in 2001, that he forged his cinematographic language: contained lyricism, deliberate imperfection of images, ellipses plunging the audience into a maelstrom of sensations. With each of his films, Jacques Audiard intends to renew himself, at the cost of challenges and doubts always more vivid.

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A young woman is sure that her son is alive

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In the fictional city of Saint Andrews, Brett Montgomery, a wealthy cosmetics businessman and doctor at the local hospital, and Brad, his evil twin brother, battle for control of the Montgomery family fortune. Brett’s fiancée, Cricket, is a journalist with the local television station and has a twin sister, Ashley, who is a nurse at the hospital.

House for sale...

An intimate window into one of the great movements in film history that brought about an evolution in the art of cinema. The documentary portrays the movement with insight on the lives and works of Jean-Luc Godard, François Truffaut and other principal players in the New Wave.

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Jeune Cinéma is a footage film documentary about the famous yet forgotten Hyères 　　Film Festival which took place from 1965 to 1983. It was at that time the most important 　　in France just after the glamorous Cannes Film Festival and a friendly place to discover 　　young directors such as Gilles Garrel, Akerman, Helma Sanders, Schroeter or Carax 　　before they became a legend for the art-house film amateurs. Hyères was a vivid 　　space for passionate debates, incredible polemics and above all surprising encounters. 　　In a word, it was THE place to be for all the cinephiles. If it suddenly disappeared 　　in 1983, it is not only because of internal and political conflicts but also for an unfair 　　competition with Cannes. The « Perspectives » section at Cannes, widely inspired 　　by Hyères, was attracting those same young talents discovered there. My personal 　　history as a filmmaker is deeply tied to the “Collectif Jeune Cinéma”, which was 　　in charge of the “Cinéma Différent” section. Therefore, it’s with a real emotion that 　　I have dived into the festival’s unreleased archives - finding astounding debates 　　or hilarious reactions of the audience - in order to reweave the thread of that forgotten 　　and yet so meaningful story about Cinema.